(in early contrapuntal music) the introduction by a performer of sharps, flats, or other accidentals to avoid unacceptable intervals.‘Two of the most famous authors of this period, Walter Odington and Philippe de Vitry, do not approach musica ficta from the standpoint of attraction accidentals.’
- ‘That's what so-called ‘musica ficta’ threatens to do to Ockeghem, Busnoys, Josquin, and Gombert.’
Late 18th century Latin, literally ‘feigned music’.
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